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The Epitome

God, that voice just makes this so mind blowingly good! Mujer, de mi poema mejor; mujer, yo nunca tuve un amor. perdón si eres mi gloria ideal; perdón, serás mi verso inicial. Woman—my greatest poem is yours! Woman—I'd never had your love before! Forgive me, for your being my glory divine; forgive me: you shall be first among my lines

KLTF2014

This years tango fest was...curious, in the sense that it was a funny mix of people who were not from the region and decided to show up, as well as quite lacking in regional representation. But above all, it was kinda fun, and yet again I find myself miles away from the seriously nervous dancer I was 3 years back and even quite recently last year. I don't know what it is but I've found my feet I guess? This grounding that I need to not be nervous and to interpret the music and not care about what everyone else around me is thinking. Eons ago wise words were shared with me on the dance floor of Vitosh Guesthouse by J. "Don't bother with them, they're all too concerned with themselves anyway". Some things come back from the past and hit you hard when you realise exactly what was meant. Had a couple of dream tandas, beautiful waltzes where my partner exclaimed "you're flying!" and proceeded to try and lift a very panicked me. If I could respond...

Hmm...

I can't dance properly after a full day of work and running around carrying 10 yoga mats, rushing home, shoveling food down my throat and then rushing for performances. Sigh. Someone oddly said, after the 3rd song of the tanda, "Oh, I get your style now". Wtf. He could not have been any more insulting. It's at times like this where my benefit of the doubt moments end up being, just doubt. You just really don't know how to lead. That's all. Sheesh.

Of forcefields and energy

http://dancingsoul.typepad.com/dancing_soul/2008/09/energy-and-tango-the-fundamental-base-of-the-dance.html Loved this article, summed up the recent 'breakthroughs' that I've been having with this dance. Things that make following easier: Commit energy to establishing your axis. If you are not on balance, even a good leader has trouble leading you in the dance. Use your breath and energy to create balance and grounding. Send your directional energy TOWARDS your partner, not away in the direction you are traveling. Keeping the energy focused on your leader means that there is a mini force field between the partners, even in close embrace. (!!!) This protects you from getting stepped on much more than trying to get your feet out from underneath yourself. Also, this gives the leader more energy to play with, reducing the leader's tendency to drive you like a MAC truck. If you feel your partner tense, release your solar plexus. There is no need for both people to...

Progress

Tango progress happens for me in fits and starts. It's like I suddenly get a breakthrough to another level, then I plateau for ages before suddenly finding and shaping and varying how I do certain basic steps and all the times always working on making my walks like a cruiseliner cutting through waves-bladelike and never bobbing. What I'm finding more often though is this idea of catching energies. Of taking the signal given and pushing the energy through from the receiving end (upper torso) into the expressive end (legs most of the time). Looking back at the start, I can barely remember what it was like to suffer through the basics-like how ochos were super impossible and even now, doing a solo ocho remains a very hard thing to do, what with weight balance and a movement that is designed to do everything to try and throw you off balance. It's this flow, this ease of having music and movement come into one whole package that makes the best dancers so beautiful to look a...

Tangueras!

Wednesday session with a flood of women, something around the ratio of 1:3 minimum so the female leads decided to take matters into their own hands. Beautifully fun though, I often feel that women have innately a greater sense of musicality because they are not worried about doing multiple fancy moves (mainly because they haven't been taught it). There's also something very nice about a woman's embrace-and a lot of boob wars going on- which lets you feel for an instant what you might actually feel like to a guy. Still trying to sort out my own lead though, I feel somewhat limited in the movements and there are so many I would like to do, but I don't have the tools or the language to do it. It's also potentially because I'm treating leading as a 'self-learning' thing, thinking that since I already know it's counter move that I can deduce the lead. Unfortunately this doesn't occur a lot of times. There's also this abject panic of knowing tha...

Tu Palabras y la noche (Your words and the night)

  Apenas suspiró tu encanto, apenas floreció tu amor, perfume de ilusión dejaste en mi pesar, recuerdo de una noche y nada más. Mi ensueño se quedó en la dicha y nunca te diré adiós, un beso de pasión, partiste sin amar y el claro de tu ausencia tan mortal. Cuando te veo pasar indiferente de amor, la risa es pobre disfraz de mi tristeza, después te alejas y ya mi pensamiento revive tus palabras y la noche del encuentro. Dijiste "siempre serás para mi vida el amor", palabras de tu emoción que ya murieron. Flor de un día, tu perfume, siempre embriaga a mi corazón. Y todo no fue más que un beso, encanto que plasmó mi amor. Después al despertar, la vida sin color es mezcla de dulzura y de dolor. En vano llamaré tu nombre ya nunca escucharé tu voz distancia de los dos, camino sin final, y el sueño que no espeja en tu mirar.   Just sighed your charm,  flourished just your love,  illusion perfume left on my ...