I've always had the notion that Tango was about being able to dance with anyone. Granted, the abstractness and lead-follow of the dance, often means that you are able to match most people as long as you are of a certain level. But sometimes, even if you are able to follow them, their styles might just not match yours...for now. Recently had a dance with a new visiting lead, first tanda was a lower energy Tango, where I thought, "OK, not bad, but nothing out of the ordinary". Then he asked me to dance a milonga, and that was where I was truly mind blown. Apparently, his language was speed and dynamic, not melodic and languorous, no pauses here! But it was exactly what I needed at that point in time. This was confirmed again by an energetic D'Arienzo on the final milonga night, matching energies, matching intentions, a similar way of hearing the beats, the syncopation and the lead/follow. Beautiful! Reminds me, again and again why Tango is so addictive. Akin to an unexp...
Honestly, it has been a struggle to get back into Tango. I'm having a bit of difficulty figuring out why, but it might just be a combination of having disconnected from it in my regular weekly schedule because of COVID, same COVID making it impossible for me to travel to other countries to dance and join Marathons, a number of years since starting and feeling stagnated, and honestly just feeling a waning interest overall. There is still motivation there, it isn't entirely gone, but life has gotten into the way. The using Tango as a bit of an emotional crutch has also been replaced by a real life human being, so that is yet another reason for the increasingly ambivalent attitude I seem to be having to the dance nowadays. All that being said, I did just fly to Singapore this weekend for Tomas workshop and because damnit, I am fan #1 in Malaysia, unabashedly! Time to see if it's time to kickstart the organising again!