Skip to main content

Progress

Tango progress happens for me in fits and starts. It's like I suddenly get a breakthrough to another level, then I plateau for ages before suddenly finding and shaping and varying how I do certain basic steps and all the times always working on making my walks like a cruiseliner cutting through waves-bladelike and never bobbing.

What I'm finding more often though is this idea of catching energies. Of taking the signal given and pushing the energy through from the receiving end (upper torso) into the expressive end (legs most of the time). Looking back at the start, I can barely remember what it was like to suffer through the basics-like how ochos were super impossible and even now, doing a solo ocho remains a very hard thing to do, what with weight balance and a movement that is designed to do everything to try and throw you off balance.

It's this flow, this ease of having music and movement come into one whole package that makes the best dancers so beautiful to look at. Ignoring technical steps and actual sequences, this final essence is what makes Tango what it is. It's present at the very start, when you're realising and discovering this idea of having a small signal result in very grand outputs. Then while you're busy struggling through learning actual format of steps, trying not to step on the foot that somehow got in your way, struggling with the embrace, struggling with the music and floorcraft, you lose sight of this energy, or at least you stop focusing on it.

It comes back though, it comes back when finally, you've grasped the tools needed to understand it. Then there's your reward. The exact power that made you fall in love with Tango in the first place. It grabs you, shakes you and yells, "you've found me again!"

I finish with a quote-
" Sing in the shower. Dance to the radio. Tell stories. Write a poem to a friend, even a lousy poem. Do it as well as you possible can. You will get an enormous reward. You will have created something.” 
~ Kurt Vonnegut

Comments

Popular posts from this blog

Recap 2019

Well well well, here we come again to the end of another Tango year in 2019. Granted, this year was a lot more muted for me, just one Tango Prelims Championship, one Fame Tango Weekend extravaganza, one Tango marathon (shit, just one?!). This years tango centered very much around home, no crazy travels (thanks to change in job), no multi-country tango events (thanks to no budget + no time), a smattering of lessons. But internally, centeredness, duende. Next year, Taipei Tango Weekend, Singapore Tango Marathon + Lisbon for food, travels and Tango. Where is my tango this year? 10 years since that fateful day running to Michigan Union in shorts and t-shirt with flipflops, hair wet from a swim on a balmy end of September day, 3 to 4 weeks into the new semester. Not knowing this would kickstart one of my greatest passions in this life. The one that brings me into the world of friendships, arguments, travels and meetings. All sorts of people, friends, acquaintances, annoyances. The ...

Taking classes as a lead

Tangoblitz wrapping up this weekend with Alejandra Hobart and Adrian Veredice, good sessions, always refreshing to see the level that professionals get up to. Notes, notes, notes! Parallel vs Cross Systems The L shaped lead-linear - Leader leads on dual track system (to the left and to the right of him) -Follower crosses across this track using a back step, side step and a cross over front ocho-forming L shapes zig-zagging back and forth -Leader strides forward on the beat while follower is on a 1+, 2 beat-option to twist the hip into a front boleo for the follower, leader must change weight with every 1-2 step -Leader starts on right foot and follower on left foot   which is the foot further away-Mirror start=parallel system-sacada happens to the cross over track (guy left, girl right) -Variation is to have leader start on left foot and follower on left foot-non-mirror=cross system-sacada happens on the parallel track (guy right, girl right) The L shaped lead-circu...

Buzzed

Chalk up another Tango memory for the ages. Dancing. In the Rain. On Pavement. And a Speedbump. With a Crowd. The rain was the best part even though we all looked like drowned rats by the end with broken ankles and destroyed shoes, but wow. Gave life to the saying "Life isn't about waiting for the storm to pass, it's about learning to dance in the rain." Been immersing myself in the Sg scene since I'm down and I must say that it's different and much as I'm missing home, so am I missing the KL scene with my wonderful female followers and crazy banter and milongas with S. Sigh. Truly home. But it's refreshing not quite knowing anyone and being surprised in this dance again. That has been nice. That and the mamak sessions post Tango where I pay 2.6x more the price of KL and have seemingly MSG-less maggi mee goreng (NOOOO). Healthier I guess and a lot orangier for some strange reason! I like this plateau I'm on. Granted my feet still aren'...