apenas floreció tu amor,
perfume de ilusión dejaste en mi pesar,
recuerdo de una noche y nada más.
Mi ensueño se quedó en la dicha
y nunca te diré adiós,
un beso de pasión, partiste sin amar
y el claro de tu ausencia tan mortal.
Cuando te veo pasar indiferente de amor,
la risa es pobre disfraz de mi tristeza,
después te alejas y ya mi pensamiento
revive tus palabras y la noche del encuentro.
Dijiste "siempre serás para mi vida el amor",
palabras de tu emoción que ya murieron.
Flor de un día, tu perfume,
siempre embriaga a mi corazón.
Y todo no fue más que un beso,
encanto que plasmó mi amor.
Después al despertar, la vida sin color
es mezcla de dulzura y de dolor.
En vano llamaré tu nombre
ya nunca escucharé tu voz
distancia de los dos, camino sin final,
y el sueño que no espeja en tu mirar.
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flourished just your love,
illusion perfume left on my sorrow,
I remember one night and nothing else.
My dream was left in this
and you never say goodbye,
a kiss of passion, you left without loving
and clear of your absence so deadly.
When I see you passing indifferent love,
laughter is poor disguise my sadness,
and then you go away and my thoughts
words and relive your night meeting.
You said "you'll always be my life for love"
words of your emotion and died.
Flower of a day, your perfume
always intoxicates my heart.
And it was just a kiss,
charm that shaped my love.
After waking, the colorless life
is mixture of sweetness and pain.
In vain I call your name
I'll never hear your voice
distance of the two dead end,
sleep and not mirrored in your eyes.
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My Tango Diaries: Lesson with Alejandro Gée and his partner, Joujou : From Alejandro Gée's studio - more pictures and info from his website here: http://tangoalejandrogee.com/ The Lesson with Alejan... 1.) Sink into the standing knee first instead of stepping/falling straight back into the back step. (I've heard that before - not sure why I can't seem to remember to do that.) According to Alejandro, basically the sequence would be: 1. Sink the weight into the floor through the standing leg (here’s where the knee bends slightly in order to be able to push the weight of the body back in the next step), while straight, free leg extends backwards caressing the floor with no weight on it and torso reaches towards the partner. The standing hip is strong and grounded, the free hip is relaxed and opening backwards as a natural continuation of the leg. The knee is straight. 2. Weight transfer: heel of the leg extended backwards goes into the floor and ...
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