Skip to main content

Primal


"Why do we close our eyes when we pray, cry, kiss, dream, (dance)? Because the most beautiful things in life are not seen but felt only by heart."

Going back to basics often allows me to discover the elements of very simple things which make up this dance. Coming back to this with slightly more experience eyes, allows for greater appreciation and understanding of these elements and how they enrich the dance. Shutting my eyes started out as the only path through which I could somewhat follow what was happening, or allow someone else to takeover my movements. 

Nowadays, shutting my eyes allows me to pick the minute vibrations of someone's intent, like a snake which slithers out of its hole at the un-felt tremors of an inevitable earthquake. The sensations that get picked up now pass through the filter of conscious Tango knowledge so that from the outside, visually, it looks like no cue was given for the movement that just occurred, as though a mental note was passed through the airwaves to reach the followers ears and cascaded down into an interpretation of a body movement when paired with the followers own interpretation of the music. 

The physical act of shutting my eyes also allows me a respite from this world, entering another dimension where physical senses take over the mental processes of registering through the eyes. In effect, almost reaching a level which meditation and any of the other arts are also channels to. 

As we refine our dance, requiring less and less impetus and less and less energy for us to understand where to move, what to do, conversations that change from a yell to a whisper indiscernible among the crowded dance floor are likened to the straight finger banging of a keyboard with little dynamic variation of a beginner pianist transforming into the professional painting with melody and rhythm and phrasing.

This. This is the essence which we refine as we move on, but just as it is indiscernible visually, is it close to impossible to teach. We can only use other mediums to deliver the message, through words rather than physical examples. This is the lesson that cannot be written down into a description, categorised into the simplicity of a tag - beginners/intermediate/advanced. No. This is the shared life force and movement, of conversations without words, but just intent, direction, confidence and breathing. 

The satisfaction of the dance moves from a lead trying to make a follower do a sequence of steps, to a lead trying to suggest to the follower where they should move with equal energy and intention- all within real time. 

What the "muggles" of the Tango World see through virgin eyes is this transmission of energy, and this undoubtedly is the inexplicable hook which keeps all of us on this drug of a dance. 



Comments

Popular posts from this blog

Recap 2019

Well well well, here we come again to the end of another Tango year in 2019. Granted, this year was a lot more muted for me, just one Tango Prelims Championship, one Fame Tango Weekend extravaganza, one Tango marathon (shit, just one?!). This years tango centered very much around home, no crazy travels (thanks to change in job), no multi-country tango events (thanks to no budget + no time), a smattering of lessons. But internally, centeredness, duende. Next year, Taipei Tango Weekend, Singapore Tango Marathon + Lisbon for food, travels and Tango. Where is my tango this year? 10 years since that fateful day running to Michigan Union in shorts and t-shirt with flipflops, hair wet from a swim on a balmy end of September day, 3 to 4 weeks into the new semester. Not knowing this would kickstart one of my greatest passions in this life. The one that brings me into the world of friendships, arguments, travels and meetings. All sorts of people, friends, acquaintances, annoyances. The ...

Taking classes as a lead

Tangoblitz wrapping up this weekend with Alejandra Hobart and Adrian Veredice, good sessions, always refreshing to see the level that professionals get up to. Notes, notes, notes! Parallel vs Cross Systems The L shaped lead-linear - Leader leads on dual track system (to the left and to the right of him) -Follower crosses across this track using a back step, side step and a cross over front ocho-forming L shapes zig-zagging back and forth -Leader strides forward on the beat while follower is on a 1+, 2 beat-option to twist the hip into a front boleo for the follower, leader must change weight with every 1-2 step -Leader starts on right foot and follower on left foot   which is the foot further away-Mirror start=parallel system-sacada happens to the cross over track (guy left, girl right) -Variation is to have leader start on left foot and follower on left foot-non-mirror=cross system-sacada happens on the parallel track (guy right, girl right) The L shaped lead-circu...

Music Mania

Decided to do a list of all time favourite tango songs (which are slowly but surely growing! Seem to have a favourite one every week): Bahia Blanca-Di Sarli Danzarin-Troilo Vida Mia-Fresado El Panuelito-Pugliese A La Gran Muneca-Canaro El Choclo-Tango Libre To Tango Tis Nefelis-Haris Alexiou A Evaristo Carriego-Pugliese I have a penchant for dramatic orchestral violin sweeps, oh and rubato, and heavy "chunky" down-bows Siempre igual es el camino  que ilumina y dora el sol...  Si parece que el destino  mas lo alarga  para mi dolor.  Y este verde suelo,  donde crece el cardo  lejos toca el cielo  cerca de mi amor...  Y de cuando en cuando un nido  para que lo envidie yo.  Vida mia,  lejos mas te quiero.  Vida mia,  piensa en mi regreso.  Se que el oro  no tendra tus besos,  y es por eso que te quiero mas.  Vida mia,  hasta apuro el aliento...