I've stated before that finding your voice is a very interesting thing in Tango. As a Follow-Lead, I realise that when I don't know what I'm doing I'll let the follower do her own thing because I don't know any better what signs that I am projecting. Perhaps if I knew more I'd be fighting more to get my own voice heard as a lead?
Of course the best tango happens when you're both comfortable enough to convey your own dancing tones, especially as a follower. Where you can subtly influence the dance and the lead is responsive enough to listen to your voice and "allow" you to do that. Unfortunately allow also connotes a hierarchical view of this dance, so perhaps "allow" isn't the word best to describe it.
On other notes, appreciating the giro. How many strokes to a circle, infinite or one? How many steps to a molinete, large or small. I still struggle with the idea that they say the size of the step is the same, no, it's not. I guess what they are trying to say is that, the size of the step will vary depending on the partner's speed, height, width, but each step should be equidistant for that particular move. That message wasn't very well conveyed.
Of course the best tango happens when you're both comfortable enough to convey your own dancing tones, especially as a follower. Where you can subtly influence the dance and the lead is responsive enough to listen to your voice and "allow" you to do that. Unfortunately allow also connotes a hierarchical view of this dance, so perhaps "allow" isn't the word best to describe it.
On other notes, appreciating the giro. How many strokes to a circle, infinite or one? How many steps to a molinete, large or small. I still struggle with the idea that they say the size of the step is the same, no, it's not. I guess what they are trying to say is that, the size of the step will vary depending on the partner's speed, height, width, but each step should be equidistant for that particular move. That message wasn't very well conveyed.
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