Cascabelito Entre la loca alegria volvamos a darnos cita misteriosa mascarita de aquel loco carnaval. Donde estas Cascabelito, mascarita pizpireta, tan bonita y tan coqueta con tu risa de cristal. | Let's have us a rendezvous amid the mad festivity, my little mask of mystery and carnival craziness. Where did you go, little jing-a-ling. my cutie-pie maskette, my pretty, my sweet, my coquette, with your crystal little laugh. | |
Cascabel, Cascabelito; rie, rie y no llores que tu risa juvenil tenga perfumes de tus amores. Cascabel, Cascabelito; rie, no tengas cuidado que aunque no estoy a tu lado te llevo en mi corazón. | Little bell, my little jing-a-ling. giggle away and don't cry; your laughter's youthful ring has the fragrance of your loves... Little bell, my little jing-a-ling, keep laughing without a care; you might not have me there, but I've got you in my heart. | |
Mascarita misteriosa, por tener mi alma suspensa me ofreciste en recompensa tu boca como un clavel. Y cuando nos despedimos llenos de dulce embeleso, el ruido de nuestro beso lo apago tu cascabel. | Little mask of mystery, to keep my spirit guessing you gave me the little blessing, the carnation your mouth is... and as we came apart, full of sweet astonishment, your little bell stood still amid the noise of our kiss. |
My Tango Diaries: Lesson with Alejandro Gée and his partner, Joujou : From Alejandro Gée's studio - more pictures and info from his website here: http://tangoalejandrogee.com/ The Lesson with Alejan... 1.) Sink into the standing knee first instead of stepping/falling straight back into the back step. (I've heard that before - not sure why I can't seem to remember to do that.) According to Alejandro, basically the sequence would be: 1. Sink the weight into the floor through the standing leg (here’s where the knee bends slightly in order to be able to push the weight of the body back in the next step), while straight, free leg extends backwards caressing the floor with no weight on it and torso reaches towards the partner. The standing hip is strong and grounded, the free hip is relaxed and opening backwards as a natural continuation of the leg. The knee is straight. 2. Weight transfer: heel of the leg extended backwards goes into the floor and ...
But listening to it it sounds sad :( Tango, que contradicion!
ReplyDeleteYeah, complete fail lah. haha
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