Honestly, it has been a struggle to get back into Tango. I'm having a bit of difficulty figuring out why, but it might just be a combination of having disconnected from it in my regular weekly schedule because of COVID, same COVID making it impossible for me to travel to other countries to dance and join Marathons, a number of years since starting and feeling stagnated, and honestly just feeling a waning interest overall. There is still motivation there, it isn't entirely gone, but life has gotten into the way. The using Tango as a bit of an emotional crutch has also been replaced by a real life human being, so that is yet another reason for the increasingly ambivalent attitude I seem to be having to the dance nowadays. All that being said, I did just fly to Singapore this weekend for Tomas workshop and because damnit, I am fan #1 in Malaysia, unabashedly! Time to see if it's time to kickstart the organising again!
Hello 2022! Is this the year that we have finally recovered from COVID? At least I've stopped freaking out about being in a crowded space without the semblance of a shield called a facemask, just as I have mysteriously also never tested positive for COVID yet having the classic symptoms of its later manifestation. All that is to say, it's back to milongas and lessons in somewhat full force and having amnesia for the last 2 years. In the middle of Embrace Berlin right now which is an interesting coalition of turbocharged Tango milongas happening throughout the week, primarily enjoyed by the local community and feeling more of a home-turf Tango situation vs. an international weekend of cross country travelling. First ever lessons with Horacio Godoy y Maricel Giacomini and what a trove of historical/musical facts - musicality at its finest. 1930's Milonguero - 1920's and earlier music rhythm was based off a habanero rhythm with the melody line emphasising the beat on 1 and