Skip to main content

Nostalgia

It's been eons since I've written anything about Tango, even though it has now become so ingrained in my life and travels.

Tango at this point to me is being used as an outlet. It's my yoga, it's my meditation. It's me traversing the world in 12 minutes, in receiving and transmitting, of letting my body become the channel through which the music flows through, of expression.

Tango to me is at this stage, everything that I want it to be. Of course there's plenty of things to work on, but there comes a point where you are balanced in yourself and your awareness of this dance that allows you to express your truest "self". It opens different facets of yourself to you and I continue to hone how I communicate. It is true that only certain people "get it", or "stick with it" and more or less these are the people that end up being people I get along with. It's a bit of a screener for me too in terms of figuring out who I actually want to be friends with, and who I want to know.

I'm happy with the state of the dance that I'm in right now.

Recently I went back to dance with someone I somewhat "started" this dance with. It was the embrace tied to the person that I had forgotten for quite awhile, not to say that he's ever left my thoughts but I've definitely created some boundaries in my own self around this person.

I was pleasantly surprised. I've embraced plenty of people in this world and moved plenty of steps. It was weird, because, fundamentally I have not found such a neutrality in balance, both with me as the lead and follow around the simple walk. The meeting of equals was profoundly different for me. I've had embraces where I can feel dissonance, or embrace and strong envelopment. Always a bit more or a bit less. But this. This one felt like a"together", meeting with equal balance and pressure with no extra pushing or pulling. Not too much and not too little.

I haven't had an embrace like this ever. Maybe it reflects us as the state of the relationship, meeting at boundaries and crossroads, and realising that this is your equal.

On other notes, getting complimented on my dancing by a Japanese Tanguera after the milonga today. Sometimes you do just want to show off..just a little =P.

Comments

Popular posts from this blog

Simple

After the countless videos, watching the performances by passing Tango teachers, performances by stage Tango dancers, sitting and absorbing Milongas, the one couple that sticks in my mind has to be T and his fiance who met through Tango in Argentina. Their seamless blending, the fact that she didn't even need to be wearing shoes and their swapping of roles. Even though I was exposed to this early on the clueless beginnings of Tango, you could already appreciate the intimacy between the two. In hindsight after a bit more experience, it becomes even clearer that, that would be the ultimate Tango experience. It's like staring at something without the tools to understand it, then later when you come back with the tools in hand, it hits you, "ah hah!" that's what it is! It's like being told, "this will be useful in life later, trust me", and staring at math sets that have no correlation with your life, until later when you're facing a job assessme...

Taking classes as a lead

Tangoblitz wrapping up this weekend with Alejandra Hobart and Adrian Veredice, good sessions, always refreshing to see the level that professionals get up to. Notes, notes, notes! Parallel vs Cross Systems The L shaped lead-linear - Leader leads on dual track system (to the left and to the right of him) -Follower crosses across this track using a back step, side step and a cross over front ocho-forming L shapes zig-zagging back and forth -Leader strides forward on the beat while follower is on a 1+, 2 beat-option to twist the hip into a front boleo for the follower, leader must change weight with every 1-2 step -Leader starts on right foot and follower on left foot   which is the foot further away-Mirror start=parallel system-sacada happens to the cross over track (guy left, girl right) -Variation is to have leader start on left foot and follower on left foot-non-mirror=cross system-sacada happens on the parallel track (guy right, girl right) The L shaped lead-circu...

My Tango Diaries: Lesson with Alejandro Gée and his partner, Joujou

My Tango Diaries: Lesson with Alejandro Gée and his partner, Joujou : From Alejandro Gée's studio - more pictures and info from his website here: http://tangoalejandrogee.com/ The Lesson with Alejan... 1.) Sink into the standing knee first instead of stepping/falling straight back into the back step. (I've heard that before - not sure why I can't seem to remember to do that.) According to Alejandro, basically the sequence would be: 1. Sink the weight into the floor through the standing leg (here’s where the knee bends slightly in order to be able to push the weight of the body back in the next step), while straight,   free leg extends backwards   caressing the floor with no weight on it and torso reaches towards the partner.   The standing hip is strong and grounded, the free hip is relaxed and opening backwards as a natural continuation of the leg. The knee is straight. 2.   Weight transfer: heel of the leg extended backwards goes into the floor and ...