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The Conversation

So, the conversation has shifted. It's shifted away from the basics, from figuring out what is an ocho, or what is a molinete, or what is a giro, deep deep into the movements. It's moved from the tip to the iceberg and has just begun it's descent past the break of chilly water and down into the depths of the unknown. This is where the true teachers separate naturally from those who don't quite yet know what they are talking about.

The conversations I've been having (with myself sometimes) has moved to the point of, how do you angle your ribs within the movement of the side step to set yourself up for the back cross? How do you receive the energy within the collection? How do you transfer the points of receptivity from chest to hips in a colgada? How do you slice through the air like hot butter through knife? How do you hold your own weight? How do you ground, connect, yet play as though you're a butterfly flitting through the air? Paradoxes, all over the place!

How does this intangible form of a particular step evolve? When you are dancing with another partner? When you are dancing to another band? Another piece of music? Another era? Another festival? Never do you step into the same running water twice, and never will you recreate the same step ever again. Fascinating isn't it?
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