Skip to main content

Entrega

And those who were seen dancing were thought to be insane by those who could not hear the music.”   -Friedrich Nietzsche

Yes, you, my tall skinny actor friend, I shall restart my use of pseudonyms from now on ;), this is a continuation of my thoughts on this topic that encapsulates this dance that we've chosen to torture ourselves with.

This topic came up twice tonight, once at the 5pm meetup and yet again at the 9pm meetup by two different sets of people. What is this elusive 'entrega'? How can I entrega when I'm trying to be musical, to have my own axis, to not be heavy! ¡Maldito sea! es imposible!

IMHO, I guess entraga is this, it is me telling you to move to the right, but giving no indication of HOW far to move. It is me telling you one thing, but indicating something else with my body language. It is me...almost being confused, and how about you? It is you telling me one thing, leading me to believe one thing, yet in your heart, preserving your own truth of the matter. Confusing? Yeah, intangible things are kinda hard to explain. Tango is very hard to explain, it's unlocking your own version of it and sharing it with others that makes it so enjoyable.

Non entrega is me fighting a pully system at age 8 up a snowy hill and getting painfully tangled in my skis. Non entrega is me shifting my weight without your invitation to. Non entrega is us in our everyday existence among strangers, fearful of all the bad things that might happen to us, so we run away, we hide behind our defences.

Maybe that's why this dance is so personal, so magnetic, because for once we are allowed and expected to entrega to someone else besides our own willpower, conscience, brain.

In the sledgehammer manner, if you do not want to entrega to someone, then don't, find someone else you would like to entrega to. I know one person in this world that I would do this to. Perhaps no one else ever. Who knows?

http://www.tangoandchaos.org/chapt_3search/19entrega.htm

"So maybe one way to describe entrega is that it is an "informed passion" about tango. Tango music is "art"—but good art isn’t always easily accessible. It often takes some effort to really feel the message hidden inside. By learning the meanings of the lyrics, and also a bit about the basic structure of the Golden Age tangos, we can begin to develop the emotional foundation that’s necessary to express the music on the dance floor. Without this informed passion, we can’t really connect with the music or with our partners. Without this connection, tango is only a superficial cartoon."

As always, tango and chaos, my bible of tango. This is quite a beautiful summary, beyond worrying about the basic steps, being able to dance a feeling is the epitome of it all. THIS. THIS, ALL THIS!

Comments

Popular posts from this blog

Stages

It's funny how I often think of topics to write at moments where I have nothing to write them on, which results in me typing a one-liner in my sms column as a trigger which later when I go back to refer to tends to make absolutely no sense to me! But yes anyway, Tango stages! 1) You have entirely NO idea what the hell the dance is about and walking seems like the most impossible thing to do. You jump up and down inside when you finally manage 5 meters w/o crashing into each other and are elated when the instructor comes over and leads you in a way that you actually feel like you know what you doing. You go away completely and utterly motivated to want to know more. 2) Basics are handed to you, ochos! impossible things! Molinete's! wtf, my legs can do that....omg leader why are you a beginner too! 3)Sacadas and ganchos and all the other good stuff. Now we're talking. 4)After getting to know the community and everyone around (obviously Tango isn't just a dance,

My Tango Diaries: Lesson with Alejandro Gée and his partner, Joujou

My Tango Diaries: Lesson with Alejandro Gée and his partner, Joujou : From Alejandro Gée's studio - more pictures and info from his website here: http://tangoalejandrogee.com/ The Lesson with Alejan... 1.) Sink into the standing knee first instead of stepping/falling straight back into the back step. (I've heard that before - not sure why I can't seem to remember to do that.) According to Alejandro, basically the sequence would be: 1. Sink the weight into the floor through the standing leg (here’s where the knee bends slightly in order to be able to push the weight of the body back in the next step), while straight,   free leg extends backwards   caressing the floor with no weight on it and torso reaches towards the partner.   The standing hip is strong and grounded, the free hip is relaxed and opening backwards as a natural continuation of the leg. The knee is straight. 2.   Weight transfer: heel of the leg extended backwards goes into the floor and the sam

Tango oh Tango

I love you, I hate you, you make my feet hurt like shit and you give me so many bloody insecurities and bruised big toes I might as well hide in a corner and never emerge. I'll never conquer you and I'll spend my whole life (and too much money) trying to perfect you, before realizing what I needed was the very thing I started off with, but am slowly losing...rawness. I live you, I breathe you, you  brought  me in touch with so many people and a couple that are unforgettable...that's what you are. Maybe you'll end up being my bridge, my connector, in fact, you already are, to myself, to friends, to lovers, to memories, to a past to living in moments suspended together, to jealousy, envy, pride, embarassment, to futures and foreign places. To big old santa claus guys proclaiming tango as heroin, to musty May nights in Triangulo missing someone, to 24 hour flights and 4 day festivals, to reconnecting as never before, to La Cumparsitas x 10, to barefoot Tango in kitchen